Category: 7 reasons why nobody is buying your book

  • From Passion to Profit: The Mindset Shifts Every Creator Needs

    From Passion to Profit: The Mindset Shifts Every Creator Needs

    Transforming Creative Drive Into Sustainable Financial Success

    For a long time, I thought financial success depended on how hard I worked.

    I had plenty of evidence to support that belief.

    I built a career in technology. I spent years working with data, analytics, consulting, and some of the world’s largest companies. I studied, collected degrees and certifications, took on difficult projects, moved countries, reinvented myself, and kept going whenever life decided to rearrange the furniture.

    I knew how to work.

    What I didn’t always know was how to turn all that work into money.

    That distinction took me a surprisingly long time to understand.

    Writing made this particularly obvious.

    I love creating things.

    Give me an idea and I can turn it into a book. Give me a blank page and, eventually, there will be characters, stories, observations, arguments and probably several metaphors that I will later regret.

    Over the years, I published book after book.

    And then came the rather humbling question:

    Why isn’t anyone buying them?

    It is a particularly uncomfortable question for a writer because it feels personal.

    If someone doesn’t buy a pair of shoes, you can blame the shoes.

    When someone doesn’t buy your book, you start wondering whether they are rejecting you.

    I eventually wrote Why Is Nobody Buying My Book? because I realized that I had been looking at the problem from the wrong side.

    I had been thinking like a creator.

    The reader was thinking like a customer.

    Those are two very different perspectives.

    I could love the book. I could believe the book was useful. I could spend months writing it, editing it, formatting it and publishing it.

    None of that created an obligation for somebody else to buy it.

    That was a painful lesson.

    It was also a useful one.

    This is where mindset becomes important.

    If my book doesn’t sell, I can tell myself:

    People don’t appreciate good writing anymore.

    Amazon is impossible.

    The algorithm hates me.

    Social media doesn’t work.

    Readers only buy famous authors.

    Some of those things might even contain a little truth.

    But none of them answers the question I actually need to answer:

    Why isn’t this particular person buying this particular book?

    Maybe they don’t know it exists.

    Maybe the cover doesn’t communicate what is inside.

    Maybe the description doesn’t interest them.

    Maybe the book is badly positioned.

    Maybe the price is wrong.

    Maybe I’m talking to the wrong audience.

    Maybe they simply don’t want the thing I’m selling.

    That last possibility is particularly difficult to swallow.

    But it is also incredibly freeing.

    Because if the problem is the product, positioning, audience or price, I can work with that.

    If the problem is me, there isn’t much of a business strategy.

    I have always found pricing fascinating because the number on a price tag carries far more psychology than mathematics.

    How much is your work worth?

    How much will someone pay?

    How much do you need to make?

    How much does your competitor charge?

    How much value does the customer perceive?

    And perhaps the most uncomfortable question:

    Why are you charging what you’re charging?

    I started thinking about these questions more deeply and eventually wrote The Prizing Puzzle.

    Yes, the title is deliberately playful.

    Because pricing really can feel like a puzzle.

    There have been times in my own life when I have looked at something I created and thought, Surely people should pay more for this.

    Other times, I looked at something and realized I was attached to a number because lowering it felt like admitting my work wasn’t valuable.

    Those are two very different things.

    A price is not a verdict on your worth.

    It is a business decision.

    I wish I had understood that earlier.

    This became particularly clear when I started thinking about small businesses.

    There is something seductive about building a business in your head.

    You can have the name.

    The logo.

    The website.

    The Instagram account.

    The beautifully designed business cards.

    The five-year plan.

    The spreadsheet.

    The pitch deck.

    The vision.

    You can feel like a CEO before you have made your first dollar.

    I have done versions of this myself.

    And eventually I became much more interested in a simpler question:

    Does this thing actually make money?

    That question became the starting point for How To Start A Small Business That Actually Makes Money.

    I deliberately put actually in the title because I have become slightly allergic to business advice that stops at “start.”

    Starting is easy.

    Making something people repeatedly pay for is the interesting part.

    A small business doesn’t need to look impressive.

    It needs a customer.

    Then another.

    Then another.

    And preferably enough money left after the expenses to make the whole exercise worthwhile.

    This may be the biggest change I’ve made.

    I used to think about money as something that arrived after I had done enough work.

    Work first.

    Money later.

    Prove yourself.

    Eventually, someone will notice.

    But money doesn’t work that way.

    Money moves toward perceived value, demand, trust, convenience, scarcity, timing, distribution and a hundred other things that have very little interest in how hard you worked yesterday.

    That can feel unfair.

    It can also be incredibly useful.

    Because once you understand it, you stop waiting to be rewarded for effort.

    You start designing for outcomes.

    You ask what people need.

    You test.

    You listen.

    You adjust.

    You sell before you build too much.

    You pay attention to numbers.

    You stop throwing good money after bad ideas simply because you have already spent money on them.

    And you learn to say:

    This isn’t working.

    Without adding:

    Therefore I am a failure.

    That distinction has saved me more than once.

    We talk a lot about the courage to start.

    I think there is another kind of courage that matters just as much:

    The courage to look at the numbers.

    The courage to charge appropriately.

    The courage to ask someone to buy.

    The courage to hear no.

    The courage to change your offer.

    The courage to stop doing something you love when it isn’t economically viable.

    And sometimes, the courage to start again.

    I’ve had several careers and several versions of myself.

    Data scientist.

    Consultant.

    Writer.

    Publisher.

    Entrepreneur.

    And probably a few titles that don’t fit neatly on LinkedIn.

    Each reinvention taught me something about money.

    Mostly, it taught me that financial success isn’t a personality trait.

    It isn’t reserved for people who were born good with money.

    It isn’t created by repeating affirmations about abundance.

    It is built through thousands of small decisions about value, risk, spending, pricing, selling and learning.

    Absolutely.

    But perhaps differently from how we are usually told.

    Your mindset matters because it determines what you are willing to question.

    Whether you can hear feedback without collapsing.

    Whether you can look at disappointing sales without inventing excuses.

    Whether you can price without attaching your self-worth to the number.

    Whether you can recognize an opportunity without romanticizing it.

    Whether you can walk away from something that isn’t working.

    Whether you can start something small instead of waiting until everything is perfect.

    And whether you can keep learning when the first version doesn’t work.

    I’ve written three very different books around these questions: one because I couldn’t figure out why people weren’t buying something I had created, one because pricing turned out to be much more complicated than putting a number on a product, and one because I wanted to understand what it really takes to build a small business that produces actual income.

    Looking back, they are really three pieces of the same lesson.

    Creating something is only the beginning.

    Then comes understanding who wants it.

    Then comes understanding why they would pay for it.

    And finally comes building a way for that exchange to happen repeatedly.

    That is the part nobody can do for you.

    And perhaps that is what a financial mindset really is:

    Not believing that money will come.

    Learning how to create the conditions in which it can.

  • Maximize Your Ideas: The Case for Content Multiplication

    Maximize Your Ideas: The Case for Content Multiplication

    I Used to Think Reusing an Idea Was Cheating

    There’s a specific guilt that shows up right around the third time you post some version of the same idea in one week, a little voice that sounds suspiciously like a teacher checking for plagiarism, asking whether you’re actually being lazy right now, dressed up as a system. I felt that voice constantly when I started multiplying instead of creating from scratch every time. I want to talk about it, because I don’t think I’m the only one who’s felt vaguely fraudulent doing this.

    Where the guilt actually comes from

    I think it comes from a rule nobody stated out loud but everyone absorbed anyway: new content is virtuous, and reused content is a shortcut, and shortcuts are for people who aren’t willing to put in the real work. I believed some version of that for a long time, which is strange in hindsight, because I don’t apply that standard to literally anything else. Nobody thinks a chef is cheating for cooking the same excellent dish twice. Nobody thinks a musician is cheating for playing the same song at two different shows. But post the same idea on two platforms, in two formats, and some part of your brain quietly files it under “getting away with something.”

    I did the actual audit on this feeling and it did not survive contact with logic, but it survived contact with logic for a surprisingly long time regardless, because guilt doesn’t require evidence, just a comfortable, familiar shape.

    The reframe that actually worked

    Here’s what finally moved the needle for me: nobody experiences my content the way I do. I see the same idea nine times because I’m the one making all nine versions. My actual audience sees, at most, one or two of those nine — a clip here, an article there, a newsletter they happened to open. To them, it isn’t repetition. It’s just the one piece of content they encountered, doing its job, once, the way any single post is supposed to.

    The guilt was a symptom of being the only person in the room who’d seen behind the curtain. Everyone else just sees the show.

    What I had to actually admit to myself

    The uncomfortable truth is that “new content every time” was never actually a virtue. It was a constraint I’d mistaken for a value, and a genuinely exhausting one. Making something new from scratch isn’t more honest than multiplying a good idea properly — it’s just more expensive, and I’d confused the expense for integrity, the way you might mistake a harder workout for a better one even when it’s just worse programming.

    A good idea, treated with real care and turned into several honest, distinct pieces of work, isn’t a shortcut. Writing an actual standalone article instead of just slapping a transcript online, cutting a clip that stands on its own instead of just trimming for length — that’s still work, real work, just not work I have to invent fresh raw material for every single time.

    Where I landed

    I still get a flicker of the old guilt occasionally, usually late at night, usually right before I post the fifth thing that traces back to Monday’s notes. I let it pass through without acting on it now, the way you’d let a familiar, slightly annoying song play out instead of turning it off. It’s not information. It’s just an old habit of thought that hasn’t caught up to how I actually work anymore.

    The chef doesn’t feel guilty about the second plate. I’m working on it.


    Ready to stop treating good ideas like single-use plastics?

    Get The Content Multiplication System and build a workflow that makes the most of your work

  • Why You Should Own Your Audience Beyond Social Media

    Why You Should Own Your Audience Beyond Social Media

    I Don’t Own My Audience on Any Platform Except One

    Every platform I post on will, at some point, without asking me, change the rules of how many of my own followers actually see what I make. This is not a conspiracy theory. It’s just how the business works — attention is the product, and I am, at best, a supplier who doesn’t get a vote. I’ve made peace with this the way you make peace with weather. I just stopped pretending any of those platforms were mine.

    I do own one thing, though, and I didn’t fully appreciate it until I watched a video quietly reach a fraction of the people who’d deliberately chosen to follow me for it.

    The moment this actually became real to me

    I posted something I was genuinely proud of, to an audience I’d spent 18 months building, and watched it get shown to a noticeably smaller slice of that audience than the post before it, for reasons nobody explained to me, because nobody owes me an explanation — I’m a guest there, however long I’ve been visiting. Nothing had changed about the content. Something had changed about the rules, quietly, upstream, somewhere I don’t have access to.

    That’s the moment I stopped thinking of platforms as places I “have an audience” and started thinking of them as places I’m allowed to rent attention, on terms that can change without notice, forever, as a permanent condition of doing business there.

    The one exception

    My email list — which for me lives inside Substack — doesn’t work that way. If someone subscribed, they see what I send. Not “might see, depending on an algorithm’s mood that week.” See. That’s the entire deal, and it’s a deal so simple it almost sounds naive to say out loud in an industry this obsessed with growth hacks and engagement rates.

    I don’t say this to be precious about email newsletters, which I understand is a slightly unfashionable thing to be precious about. I say it because it’s the one piece of this whole system I actually own outright, and everything else — the clips, the reposts, the cross-posts — I’ve started thinking of as advertising for the one channel where the rules can’t quietly change under me.

    Why this changes how I think about the whole workflow

    Every platform still matters. I’m not walking away from any of them — that would be its own kind of self-sabotage, given how much of this system depends on reaching people who’ve never heard of me yet. But I’ve stopped treating them as equally mine. The clips and social posts are outreach. The home-base post, the one going to people who already opted in, is the actual relationship. Everything else is just how I introduce myself to strangers who might eventually want to be there too.

    I used to measure success by whatever the biggest number was that week — most views, most likes, whichever platform had a good day. I measure it differently now. How many people are on the list I actually own. Everything else is weather, and I’ve stopped checking the forecast quite so anxiously.

    What I’d tell someone building this for the first time

    Build the audience you rent. You have to — that’s where discovery happens, that’s where strangers become readers. But build the one you own at the same time, from day one, even when it feels smaller and slower and less exciting than watching a clip take off. The clip’s numbers will humble you eventually, on a schedule you don’t control. The list won’t, because nobody but you decides what happens to it.


    Turn one piece of content into a steady stream of reach. Grab the toolkit here to streamline your workflow.

    A promotional graphic for The Content Multiplication System showing a dark cover with title text and small graphic symbols representing multi-platform content distribution.
    Product cover for The Content Multiplication System toolkit.
  • Boost Your Book Sales: Master Your Author Signal

    Boost Your Book Sales: Master Your Author Signal

    If you are like most authors, you’ve spent months—maybe years—writing, editing, and refining your book. You hit “publish” expecting a flood of interest, but instead… silence.

    The immediate reaction is often: “Is my book broken? Is my writing just not good enough?”

    The truth is, your book isn’t broken—your signal is.

    The Noise Problem

    In a digital marketplace crowded with millions of titles, simply having a “good book” isn’t enough. If your potential readers aren’t clicking, it’s rarely because your writing lacks merit. It’s because the signal you are putting out—your messaging, your positioning, and your strategy—isn’t cutting through the noise.

    You aren’t failing as a writer. You’re failing to bridge the gap between your book and the person who actually needs to read it.

    Introducing The Author’s Strategic Toolkit

    I’ve spent a lot of time analyzing why so many talented authors stay “stuck” at the starting line. To help you move past the guesswork, I’ve bundled my four most effective guides into The Author’s Strategic Toolkit.

    This collection is a comprehensive diagnostic process designed to help you build the foundation your work deserves:

    Stop Guessing. Start Connecting.

    You didn’t write your book to let it sit on a digital shelf. It’s time to stop blaming the algorithm and start mastering the fundamentals of reader connection.

    Click here to get The Author’s Strategic Toolkit and take control of your author journey today.


    Are you ready for your book sales to skyrocket?

    The Author’s Strategic Toolkit.
    Introducing The Author’s Strategic Toolkit
    I’ve spent a lot of time analyzing why so many talented authors stay “stuck” at the starting line. To help you move past the guesswork, I’ve bundled my four most effective guides into The Author’s Strategic Toolkit.

    This collection is a comprehensive diagnostic process designed to help you build the foundation your work deserves:

    The Intentional Author: A blueprint for shifting from a passive writer to an intentional publisher who treats their work with the strategy it deserves.

    Your Book Isn’t Broken (But Your Signal Is): Discover how to sharpen your messaging so that your ideal reader can finally hear you through the noise.

    7 Reasons Nobody Is Buying Your Book: A brutally honest look at the common friction points that prevent sales and how to remove them today.

    Before You Publish Your Next Book, Read This: Your essential pre-launch checklist to ensure you aren’t setting yourself up for disappointment before you even hit “publish.”